Bindas- Movie : ''7 Khoon.. is a black comedy not seen in Bollywood for ages''

Darling

Bollywood actress Priyanka Chopra plays a role of travel by the life of a woman from 20 to 65 years of age in her next movie 7 Khoon Maaf. This movie is like of black comedy which Bollywood has not seen yet.
Priyanka told to the reporter that this movie is not a drama or suspense thriller. There is wickedness and humour. This kind of black comedy is not seen for a long period of time.

This movie is directed by Vishal Bhardwaj is inspired by “Susanna’s Seven Husbands”-Ruskin Bond’s short story.

Priyanka Chopra describe her lead role as Susanna is so complicated and difficult.

The 28 year old actress said that "7 Khoon Maaf"- this movie is the journey of Susanna in the search of love. Ageing was the hardest part on the screen. She modeled her older look on the physical appearance of her mother.


Priyanka Chopra said the experience of working with Irrfan Khan, Naseeruddin Shah and Annu Kapoor, who play three of her seven husbands in this film, was “heart wrecking”.

She said, “I had never worked with them before Annu Kapoor is a friend of my father but I never worked with him. I did a workshop with Naseeruddin Shah before the movie went on floors. I had to learn lot from Irrfan as an actor.”

She told that they shot the first part with Irrfan Khan where Susanna’s age is between 37-40 years. She was very nervous and trusted on her director.

She said that she was most compatible with the John Abraham as she act with him in three movies together.


She also said about she act with Vivan and Neil Nitin Mukesh shared good rapport during the shoot.

To the question on intimate movie scenes, Priyanka Chopra said that the movie was based on marriage. There can be no marriage without intimacy. Love and pain come with various other emotions.  She told that she tried to act out them to the best of her comfort.

For more bindas news and priyanka's photo : Bindas movie

Bindas Movie : Dil To Baccha Hai Ji movie review

Directed by Madhur Bhandarkar, the movie stars Bollywood actors – the action hero Ajay Devgn, loverboy Emraan Hashmi, chatur Omi Vaidya, Kamal Hassan’s daughter Shruti Hassan, Shazahn Padamsee, tisca Chopra, Shraddha Das and Rituparno Ghosh.

Madhur Bhandarkar said that he moved away from serious cinema to comedy. “’Dil To Bacha Hai Ji’ is a different movie. My movie has always been real and hard hitting. This movie is also real but comedy. I think everybody is related with this kind of story”, said Bhandarkar.

Ajay Devgn described this film as a romantic comedy and included that people from all age group will connect with it.

“It’s a romantic comedy with which I think every young and people from all ages identify. This is one kind of story that happens in everybody’s life but we can’t laugh on it. So it’s different kind of genre,” he said.

‘’Dil To Bacha Hai Ji’’is a story of three men and their love.

Emraan Hashmi said that the title of the movie is appropriate, as it highlights that men normally do not grow up and remain immature.

This story is based on three men who are in the age group of 30, 35, and 39 but still they are fighting with love, and their relationship.

Music composed by Pritam Chakraborty.

This movie is ready to hit the screen on Januarey 28.

For more entertainment : Bindas-movie

Bindas movie : Yamla Pagla Deewana movie review

After the successful family drama ‘Apne’ in 2007, now they are come back in 2011 to entertain us with comical movie ‘Yamla Pagla Deewana’. This movie brings together the master he-man Dharmendra, macho man Sunny Deol and the forever charming Bobby Deol. ‘Heroes’ fame Samir Karnik along with produced by Nitin Manmohan under Top Angle Productions. Music of the movie composed by Noman Javed, Rahul Seth and Sandesh Shandilya , lyrics by Irshad Kamil, Seth, Rahul and Darmendra paaji, who become lyricist with this movie. ‘Yamla Pagla Deewana’ is going to hit the screen on 14th January.

Sunny Deol as Paramveer Singh Dhillon is an honest and upright NRI work as bank loan recovery agent at Vancouver, Canada and living with his mother Nafisa Ali and his wife Emma Brown as Mary and the two kids. His mother distinctive Punjabi housewife who takes to the knowledge of Paramveer Singh that he has a father and a younger brother. Tired of with his husband’s misleading ways, she decided to leave her husband, with her elder son. With this starts Paramveer Singh’s journey to India fro the search of his father and his brother to unite his family. Meanwhile, father Dharmendra as Daram Singh and Bobby Deol as Gajodhar Singh are the biggest confidence men in entire Varanasi, popular as crooked father –son jodi. Luck appears to prefer Paramveer Singh as he searches his missed family not aware of his shortly to turning a pawn of their con games.

Here takes their confusing and hilarious journey of action, romance errors, emotions and laughter. With the theatrical trailer already evoking positive response. Regarding it was released with ‘Action Replayy’. Watch out for Darmendra’s famous dialogues from ever chartbuster ‘Sholay’ on with some songs and popular legend that certain to keep you hooked to this journey. Watch ‘Yamla Pagla Deewana’ on 14th January and check out the Deol family rock in Bollywood or not.

For more bindas news and review : Bindas Movie

Bindas Movie : No One Killed Jessica Movie Review

The much expected movie that takes two actresses unitedly has finally released. Directed by –Rajkumar Gupta, the movie has much of substance backed through great performances by Rani Mukharjee and Vidya Balan.

The movie still does complete justice to the script. Rajkumar Gupta is in right dorm. The movie has a good element of fiction. The movie express you the dirty side of poer game of politics very well.

In the role of spirited journo, Rani Mukharjee who smokes non-stop and discard the swear words every now. She drops her teeth in the character and giving it a lot needed pragmatism that is demands. Her performance is spring to be talked about in coming days. In fact, it would be very unfair if I don’t admit the fact that Rani appears a lot at ease mouthing abusive words.

Vidya Balan gets a opportunity to prove herself. Vidya Balan plays the iconic role of Shbrina Lall superbly. Vidya is poignant even controlled an imposing figure of maturity, veracity and refinement. This movie completes the hat-trick of her praiseworthy performance.

Neil Bhooplam the main witness is fantastic. Especially in the episode when he come for the audition for the movie role and blunders out the truth. Mohammed Zeeshan Ayub, the chief accused, is very good. The actress playing the role of Jessica is a new comer named Myra Karn, is natural. Rajesh Sharma, the investigation officer, is excellent. Shireesh Sharma, the politician-father, is just perfect.

On the entire, No One Killed Jessica is a touching story of two women’s resolution for justice. It’s remarkable fiction and facts inspired through a series of real life episodes. The disturbing and emotional journey, the strength of the common people and the persistence effort of the media have all been most persuasively put together on movie. This daring and heroic movie truly deserves a compellingly applause. It is a good movie.

For Bindas Movie Video : Bindas Movie
 

Bindas Movie : Toonpur ka Superhero movie review

Toonpur ka Superhero’ brings you away from the every day’s hassles, deadline, rising of onion prices. And it makes for a greatjourney with your children. This movie is totally entertainment.

You are most welcome to the full of action packed world of superstar Ajay Devgn as Aditya Kumar whose dangerous stunts are done by his double while he just poses for macho close ups. In this he missed his son Ameya Pandya as Kabeer’s sports day. When he reached at his home-he found that his son Kabeer charging him of being a face hero. He just urged his father to be a real hero.

The other side, far away in Toonpur- toonasurs (baddies) led through Jagaaro are torturing the Devtoos (The good guys). The good gang led by knowledgeable Gyandev and the cute Bollywood fan sikh child, funkey Parsi scientist and it comprises Bolly, Pandu –the police, Big Ben – the rotund Gujju ben serving dhoklas and also hard licking with her rolling pin to her desecrators, Gappy- the frank musician loaded by golden ornaments, Loveena –a Goan lass and Lappy –the geeky South Indian. They are always dagger attracted by the toonasurs led through menacing Jagaaro.

The good toons wanted to be free from the jaggaro and vanquish him, for that they required one superhero to restore peace into Toonpur.The Punjabi boy, Bolly he suggested the name of Aditya Kumar. He is ensured that only his superstar can do it. That’s why the toons ‘kidnap’ Aditya Kumar and take him into the Toonpur.

The toons kidnapped Aditya from his movie set to Toonpur. And when he realized that he is surrounded by the Television toons. But when toons explain their mission, initially he is not believed but after he decided to take it into his hand to redeem himself into the son’s eye.

Aditya ends up facing Jagaaro who is challenge him to play a computer game. The game is jagaaro has artfully kidnapped his wife Kajol as Priya and his two kids. Aditya has to play this game up to three levels in order to save each member. The game increasing difficulty are very interesting and entertaining –especially for the kids.

The original heroes of the movie are the well animated toons. The flawlessly animation is so praiseworthy. It’s of international standers. The toons and their languages tones of each toon are just amazing.

Ajay Devgn is fully convincing in his play in live and in animation part of the movie. Kajol play her role like pizzazz. Ameya Pandya as son is cute.

So enjoy this movie on X’Mas for fun holiday.

Source : Bindas-movie.harish4u.com

Movie Review : Mirch

The promos of Mirch movie had abruptly caught one's eye, thanks to its attention-grabbing promos, which are full of love-making scenes. You’re forewarned at the outset that this movie talks of four adulterous people. But the question is, have not we watched men cheating women in so many movies in the past? Haven't women caught their men with their pants down, in the past? So what's new in Mirch? For a change, the women in Mirch are into adultery. They are the ones who are cheating on their husbands and in each of those stories the woman manages to go scot-free when caught red-handed with her lover.

Was asked a pertinent question while watching this movie: Is the audience matures plenty to handle the portrayal of female sexuality on the screen? Well, first of all, moviegoers are mature enough to understand and laud themes and subjects and Mirch which director Vinay Shukla refers to as a celebration of womanhood, narrates four separate stories based on subject of women emancipation and also dabbles with gender equality in a relationship. It is a sex comedy with generous doses of wit; not a serious take on feminism. Once more, it is erotic in parts, but not vulgar. We have seen lots of movies dealing with male sexuality, but Mirch deals with women's libido and that too in a funny way.

Vinay Shukla’s new effort is structurally quite innovative, something that hasn't been tried yet. However, it wishes to clarify that the four individualistic stories in Mirch are not remotely similar to the Dus Kahaniya, Darna Zaroori Hai, Darna Mana Hai format. There is a fifth story that connects to them.

The first story, from 'Panchtantra', is placed in ancient times, the second is placed inspired by 14th century Italian classic 'The Decameron' by Italian author Giovanni Boccaccio. The third is from an Italian fable set in contemporary times and the fourth has been written by Shukla himself. All stories are Interesting, but the level of interest in those four stories fluctuates radically. The first two stories are wonderful, mainly because the 'games' women play in those stories catches you by complete surprise, the third and fourth stories are a sharp contrast. You feel let down because they're outright predictable and not a patch on the ones that you had watched in the first hour. 

Mirchs has two stories in the first half [great] and two stories in the second (disappointing), while the fifth one, which binds all the earlier tales, is a downer as well. Eventually, it falls short of expectations!

Arunoday Singh as Maanav is a struggling writer unwilling to compromise on the script he has written. His girlfriend Konkona Sen Sharma as Ruchi, a successful film editor, arranges for him to meet Sushant Singh as Nitin, a film producer. Nitin likes the script, but is not very sure of its commercial prospects. Maanav then suggests a story from the Panchtantra: A woman Raima Sen is caught red-handed with her lover Arunoday Singh by her husband Rajpal Yadav and yet, she manages to wriggle out of it scot-free.

Nitin loves the story, but finds it too short for a feature movie. Maanav then creates three more stories based on the same premise. In a way, the Panchtantra story travels in different versions to the modern times through the movie. The four stories are woven together by a common story.

There is not much scope for music in Mirch and although there're a couple of tracks, 'Badra' sang by Monty Sharma is easily the best of the lot. It has a haunting tune and its placement in the narrative is appropriate. Also noteworthy are the dialogue, especially in the first two stories.

Mirch stars some of the best names in the business. Konkona is excellent, Raima conveys so much through her expressive eyes, Shahana is wonderful and Ila Arun is first-rate. A major part of the movie is placed on Arunoday Singh's broad shoulders and he stands tall with a natural, good act. Sushant Singh is perfect, Shreyas Talpade is sincere, Rajpal Yadav is earnest, Boman Irani is just right, Prem Chopra is flawless and Tisca Chopra is fiery. Saurabh Shukla shines in a brief role. 

Movie review : Band Baaja Baaraat

Band Baaja Baaraat movie is in one line, a love story with just distribution of all the three elements mentioned in the movie title. Yash Raj manages to lose its otherwise squeaky clean packaging to complete to be more realistic. But a there is a warning before you going to your nearest theater to get your ticket for this movie: If you do not like Delhi-ites, this movie could really check your tolerance because everyone acts, speaks and even overplays like a quintessential Delhi locals.

The story is fairly straight-forward without surprises. If you have seen the promos, nothing can say here will assured an eyebrow. Delhi ki girl Anushka Sharma as Shruti meets Saharanpur’s boy Ranveer Singh as Bittoo, accidentally but they are not in love for a long time after knowing each other. They decide to join to become wedding planners for middle-class Delhi-ites who appreciate a full flashy-style wedding. After several weddings, they decide to produce the bar and start servicing big clients, followed by a collage shot of passage of time to represents ringing of the cash register.

But every movie requires a turning point, so after half-time, after much protesting, our lead resisting gives in to their physical desires. Now, this is a sequence that is scene beautifully with aesthetic love making and slow kissing. And what's particularly refreshing is how they have shown 'the-morning-after': the feeling of happiness coupled with every place is sensed in charming light and different. Anyhow, this feeling is short-lived.

The second half of the movie chases like a disable earthworm and waiting for the lead match to realize that they are coping up for each other seems like forever. This wait gets more painful when aloud shaadi songs are thrown on you. Isolated from 'Avayi Avayi' (which will sure become a favorite among shaadis for the next few months), other songs look like earlier rejected compositions. Habib Faisal's dialogues are pretty good with the characterization but may not participate to the film's success. Anushka is her sparkling self and debutant Ranveer makes a convincing 'jat' and the movie pretty good rides on them.

Movie review : Phas Gaya Re Obama

Watch theatrical trailer

Movie: Phas Gaya Re Obama

Actor: Neha Dhupia, Amol Gupte, Rajat Kapoor, Sanjay   Mishra, Amit Sial, Brijendra Kala, , Surendra Rajan,  Manu Rishi, Devender Chaudhary, Avantica Sumeet NijhawanPandey Vivek.

Director: Subhash Kapoor
Producer: Ashok Pandey  

A funny story, the story starts in the United State where Rajat Kapoor as Om is an American citizen of Indian origin. He becomes the victim of the global recession and is obliged by his bank to pay a vast amount to clear the loan or abandon the home. For this he wanted to come to India and sell his hereditary land. When he reached India the story takes turn. He gets kidnapped by a gang (Manu rishi, Sanjay, Amit sial) who are also victim of global recession. But they don’t know that Mr. Om is also on the road to bankruptcy. What happens from there forms remain of the story. 

Movie Review : Hisss

If ever real society is to be formed for prevention of cruelty to film, Hisss starting by Mallika Sherawat and directed by Jennifer Lynch, should be its maiden project. The movie is a case study of what all film ought to be.

First of all, a subject like a icchadhari nagin or shape-shifting snake-woman on a vendetta isn’t exactly challenging to make you smash for the nearest theatre. These kinds of movie were making and buried in 1980s film. Where Sridevi twisted in snakelike dances on the Been’s sonorous tunes played by Amrish Puri in the film Nagina.

Now, it is Mallika Sherawat modestly stripping down to her birthday fit to play a revengeful nagin out to search her kidnnaped partner.

An American man named George (Jeff Doucette) is going to search a snake couple with the hope of searching the naagmani that could save him from dying of cancer. He kidnapped a male cobra with the intention of making his female partner, the nagin, with naagmani as redeem to save her partner.

The nagin takes form of human and the next you see is a minimally dressed Mallika Sherawat beginning to find for her missing partner and in the course carrying her own justice by killing the persecutor of women.

Irrfan Khan shocks us with his presence as a cop, who is investigating the strange murders in this freak of a film. Divya Dutt plays Irrfan’s wife. The question that prays to be asked is what ghoul got in these two actors to make them sign Hisss.

Mallika Sherawat glowers, scowls, frowns, and pops out her eyeballs in the name of acting. Of course, she slides with slimy snakes and even kisses one in a scene. The special effects are of the cheapest kind and the direction by Jennifer Lynch is blatant by its absence.

Source : bindas-movie.harish4u.com

Movie Review : Crook

The most important fact about Crook is that it deals with Racism. But it is false that the movie points at the racist nature of Australians. Rather it pokes a finger into the Indian mindset of being superior culturally and hence turning racists themselves.

However the issue with the film is not the points made but the way it has been done. There is a valid story but the screenplay fails big time with too many loopholes strewn all over. Crook evolves from being a story about just one guy, who escapes his way out of India to Australia with help of fake documents, to become a story on racism and hatred among two different cultures. It is about how this guy, who was looked down upon in India for being a deceased criminal's son, makes the world sit up and admire him for bringing back peace to between Australians and Indians. Sadly though, the connection between this guy's life and the chaos does not come across.

The first half is used to build up a romance between this guy, played by Emraan Hashmi, and new girl Neha Sharma. The second half suddenly gets grimmer, faster and better and is actually where the story evolves. And in between there is a spate of characters through which the director tries to add his touch of Bollywood masala - comedy, drama and even a bit of titillation. Mere waste of time! The dialogues are no better and prove complete misfit. To add to its woes, this film does not even have good music which usually is a draw in other Emraan Hashmi films.

Technically though the film is shot well. There is way too much liberty taken on location. The attempt of the director to pass of South Africa as Australia is as silly as any Hollywood director's attempt it would be to pass off any south Asian country as India. And considering the number of Hindi films that are shot in South Africa, even Indians have become aware of the cities like Johannesburg.

Performances are fine. Emraan Hashmi is his usual self. With not much experimentation he just about suffices. New girl Neha Sharma is fine. It is however Arjan Bajwa who shines in his role.

Crook is neither a love story not is it any serious depiction of racism. The posters and promos too will be misleading to the audience, just like in the case of 'Tum Mile'. What could have been a much better film ends up as too mediocre a fare. You won't miss much if you don't buying this ticket. Buck up Mohit Suri, we know you can do better! 

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Do Dooni Chaar Review

Looks like the family audience is finally getting its due in terms of big screen entertainment. Last week we had Khichdi and this week there is the delightful Do Dooni Chaar. Of course the two are nowhere similar to each other. While Khichdi was the dose of laughter with hilarious characters, DDC is more of a slice of life entertainer about absolutely real life situations. And along the way it brings out some beautiful messages and family values.

Do Dooni Chaar is about a middle class Delhi family - the Duggal family. At the helm is mathematics teacher Satish Duggal (Rishi Kapoor) who earns a meager salary, like so many other teachers do, and runs his family on that much. He has long given up on dreams on his own house and car because clearly a teacher cannot afford them. His wife Kusum (Neetu Singh Kapoor) aids him. They have two children Payal (Aditi Vasudev) and Sandy (Archit Krishna) both of them crib that their father is not rich like parents of their friends. The story of DDC is woven around the family's desire to own a car and what happens around it.

What's appealing about DDC is about the details that the director puts into every character and situation, refreshing moments from our own life. Though the film loses pace now and then with the director losing way occasionally the overall drama is kept intact. Dialogues aid the characters and are done well. Technically too the film is well made. There are no compromises made despite it being a low budget project. DDC has been shot and edited well. Every prop used in the film - right from sweaters to refrigerators to scooters readily makes a statement of middle class livelihood. The songs keep the story flow intact.

And to top it up are stellar performances from each other primary cast. Both the children- Archit Krishna and Aditi Vasudev - play their part effectively. Rishi Kapoor is perfect as ever, even as he treads into a character he has rarely played in his long career! But it is Neetu Singh who captures our hearts. The actress who makes a return to acting with this film (she did a blink and miss appearance last year) shows she still hold every bit of the charm that she displayed once as a leading lady. She excels as the middle class wife who thinks twice before spending a penny to perfection, matching her perfectionist husband.

Among messages like honesty and truth the movie also sends out a clear message on importance of teachers and how respectful a profession it is. And how they are so often not paid well enough to oversee the proper growth of their own children and fulfillment of personal dreams!

Do Dooni Chaar is one movie you would not mind watching on a family outing. Apart from the fact that it has an appealing story it also holds by family values. It can easily be compared it to middle-of the-road films made my likes of Hrishikesh Mukherjee and Basu Chatterjee. But it is best to call it a film with an Indian story! 


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Ash smitten by Tamil bug

Aishwarya Rai Bachchan who began a successful career by Mani Ratnam in the Tamil film Iruvar “in 1997 is well underway. Chicago, who was waiting and asked to start only Mani Ratnam, said he was” confident “that most Tamil films, now that multi-language moo.”

In “Music rAAV Aishwarya launch, said:" I understand a little Tamil and talk a bit about it. For me, it is important to understand the meaning of my line before delivering them. I can not cup dialogues. So for ‘Raavanan’ (Tamil title), I made sure I knew what I was saying and yes, I have accomplished much in the language and I’m sure do more Tamils in the future. “

Her confidence in the Tamil film was exuberant when she told the media After Raavanan was like - “Come! Bring on the robot (her film ‘Endhiran’with superstar Rajini)". Hmm, looks like the diva be the next popular crossover actor, according to Sridevi, Jaya Prada ...

Movie Review : The Japanese Wife

In a film like THE JAPANESE WIFE, you know that it would follow a realistic route with some strong performances. However, what you also know for sure is that there won't be much to look forward to as far as entertainment value is concerned. Also, the pace of the narrative would be slow, the background depressing and a route which would be realistic rather than optimistic or escapist.

This is exactly what one gets to watch in this two hour tale by Aparna Sen. However, the fact also remains that you look for some fresh air once the curtains come down. Really, it is one thing to have realism being depicted on screen and another to make the proceedings on screens so dark and gloomy that you only end up hunting for some respite.

For a young introvert village riverside school teacher (Rahul Bose), his only companion is a young pen-pal (Chigusa Takaku) from far away Japan who has similar personality and almost equivalent socio-economic background. As their letters become a one-a-day affair, they also end up becoming soul mates and get into a long distance marriage relationships. Poverty and family dependencies mean that even a phone call is a distant dream and the only mode of communication remains good old hand written letters.

15 years pass by and though they have barely spoken to each other only twice or thrice, the bond only becomes stronger. Rahul isn't even open to the idea of getting married to a Bengali girl and when a young widow (Raima Sen) starts living in his house, he maintains his distance. Meanwhile his overseas wife starts suffering from a terminal disease and he goes all out, given his circumstances and economic condition, to save her life.

A premise like this doesn't quite promise much entertainment in the offing. However, for a regular moviegoer, the least which is expected is a dramatic enhancement to the narrative to keep his attention on screen for those 2 hours. However, the film doesn't keep the same momentum from start to finish and also turns overtly depressing towards the latter part that keeps you longing for that sunshine. Nothing wrong with the subject or the treatment here; after all this is how Aparna Sen wanted to bring fore the tale of her protagonists.

However, the question that arises is - 'How many people out there actually wish to watch such a tale on the big screen?' Let's not just blame the audience here because at the end of the day, especially in today's time, movie watching (for most) is meant for an entertaining experience and unfortunately, but truly, THE JAPANESE WIFE doesn't provide any.

Movie Review : glamsham.com

Movie Review : Tum Milo Toh Sahi

Tum Milo Toh Sahi is not just a romantic comedy… it is three unique romantic stories in one.

Set in modern day Mumbai, with all the demands and pressures of city life, the film weaves together the lives of three couples who connect with each other through a series of touching and hilarious moments, sometimes just over a simple cup of coffee.

It is about the meeting of souls (Nana Patekar and Dimple Kapadia), the meeting of minds (Suniel Shetty and Vidya Malavade) and the meeting of hearts (Rehan Khan and Anjana Sukhani), underlining that love is the driving force in people's lives, irrespective of age… from school kids to the youth of today, from people in their mid lives’ crises to those who are sixty plus. The journey of life slowly aids the discovery of love in all its different shades and hues, at different stages; it brings with it the bitter, the sweet and sometimes the spicy, making life worth living.

Tum Milo Toh Sahi is a film about human victory, when ordinary people come together to combine their strengths and stand by what they believe in.

Come rediscover love in the wonderful journey of Tum Milo Toh Sahi.

Let’s meet at a cinema near you.

Movie Review

Right Yaaa Wrong

What is it all about?

What's old has been made fine and new in ‘Right Yaaa Wrong’. Writer Neeraj Pathak who makes his debut as an helmer with the labeled Bollywood action hero Sunny Deol and serious actor Irrfan Khan, takes a heist movie rife with familiar genre elements and turned it into a sleek, accomplished piece of work, meticulously controlled and completely involving film that manages to caste itself away from the routine ‘who done it’ or a wife betrayal suspense, in fact this Mukta Arts presentation occupies an exalted position among the countless Bollywood films revolving murders. Bollywood show man Subash Ghai’s this week call at the B.O. is a welcome ambitious study of the relativity of good and evil that stands apart from other films of its type by virtue of its extraordinarily rich characterizations and its thoughtful, deep take on honesty. You can’t ask for a better captivating mind game this summer which in fact passes the screen test of being the dark horse of this week.

The Story…Of course

Ajay (Sunny Deol) is a brave cop. An unexpected incident takes place and he wants his wife (Eesha Koppikhar) to kill him. Will a wife agree to kill her own husband? Why does Ajay want to kill himself?

Ajay and Vinay (Irrfan Khan) were the best of friends, but an intense rivalry leads to a battle for supremacy. A dramatic confrontation ensues, where Vidya (Konkona Sen Sharma), Vinay's sister, chooses to support Ajay in this chase of mind games and Vinay has to fight it out.

What to look out for?

Just when it seemed that the modern showman of Bollywood was loosing grounds, the showman’s company Mukta Arts bounces back in a sultry though not in sizzling style with unexpected humanity. Rarely in Bollywood do you come across mystery and a drama interwoven with real smart acting that draws your attention resulting in a captivating drama with a philosophical view which makes a decent impact.

The contrasts between the ways these two driven men go about their business in which one is honest with his responsibility and the other is honest with his feelings after coming to know about the betrayal of his wife is engrossingly done by Neeraj Pathak who right from the initial cop criminal action encounter where we are introduced to the brotherhood of Sunny and Irrfan Khan where Sunny is likable and is pleasant to see him doing some serious acting with conviction and Irrfan Khan giving a knock out performance especially in the second half when the film starts to elaborate itself from the routine and ends up on a philosophical note.

Neeraj Pathak delivers an interesting captivating piece of work that's equally impressive for its artistic and technical achievements. Ravi Walia’s evocative lensing, edgy editing by Ashfaque Makrani.

Eesha looks gorgeous and Aarv Chowdhary is impressive.